"Datament": The Polish Pavilion on the Venice Biennale 2023 Examines Humanity's Relationship with Knowledge

“Datament”: The Polish Pavilion on the Venice Biennale 2023 Examines Humanity’s Relationship with Knowledge

The Polish pavilion will current Datament on the Worldwide Structure Exhibition – La Biennale di Venezia. The set up will permit guests to expertise knowledge in its bodily kind. The core purpose of the exhibition is to showcase how prevalent knowledge has change into, shaping the truth through which we stay, create, and dwell. Created by Anna Barlik, Marcin Strzała and Jacek Sosnowsk, Datament is the start line for discussing how knowledge and new applied sciences will play a vital position sooner or later.

The pavilion can be stuffed with the frames of 4 life-size homes. These chaotic and satirical buildings symbolize the unique knowledge kind, reproducing the “supply knowledge.” The set up may have 1:1 scale replicas of the spatial types of properties from 4 totally different international locations. The constructions, manufactured from about 2,000 m of coloured metal profiles, are primarily based on common, generalized knowledge on the dimensions, form, and purposeful association of properties in varied geographic zones.

The set up will permit guests to work together with this data, serving as a springboard for a dialog about new applied sciences. Moreover, whereas these vital quantities of information could not present humanity with pre-made options, the exhibition encourages guests to see how these infrastructures can enhance the questions they ask.

The exhibition means that statistical knowledge evaluation and using algorithms in design considerably affect how we are going to stay within the current and the long run in structure, urbanism, and spatial planning. Nevertheless, uncooked knowledge is turning into much less and fewer crucial to humanity. Resulting from this warped actuality of the data course of by new expertise, the show questions civilization’s judgment on this digital mirage.

Datament is a recording of a dialog between an architect and an artist. Work by Anna Barlik focuses on shade, composition, and native conditions in visible artwork. Architect Marcin Strzaa investigates the connection between digital knowledge and its bodily illustration by design. They’ve created a construction primarily based on digital knowledge evaluation alongside curator Jacek Sosnowski. The neologism used for the title, Datament, alludes to the pervasive “knowledge institution” that consistently shapes the world through which we stay, work, and play.

“We share a world with knowledge. Believing of their infallibility, we let algorithms calculate and design our homes and cities. Nevertheless, with out a delicate and aware designer, digitally processed knowledge can create distorted options, equivalent to these introduced within the Polish Pavilion.”

–Creators of Datament

Many different international locations have introduced their plans for Lesley Lokko’s overarching theme on this version of La Biennale di Venezia, The Laboratory of the Future. The Australian Pavilion, “Unsettling Queenstown,” tackles themes of decolonization and imagined futures. Finland’s Pavilion will current “Huussi,” a dive into the way forward for sanitation, the structure of water, and nutrient circulation. “Eternal Plastics,” the US Pavilion, plans to fill the area with works in plastic, analyzing the position of this materials actually and metaphorically.