Archipelago Pavilion Writer Homes / Alarcia Ferrer Arquitectos

Archipelago Pavilion Writer Homes / Alarcia Ferrer Arquitectos


Textual content description offered by the architects. The event of the Archipelago Writer Homes mission, which incorporates the development of twelve properties designed by twelve structure studios, additionally contains the development of a small pavilion within the forest of Estancia La Paz.



In response to the necessity to create an exhibition house for the sale and promotion of writer homes, a impartial house has been created to function a spot to current fashions and tasks of the rising design improvement that gives new methods of residing in La Paz. The versatile qualities of the house additionally enable for the potential for new makes use of sooner or later.



Its strategic location responds to the passage between the outdated city of Estancia La Paz, now reworked right into a lodge, the bar of a golf course, and a panoramic tour round a lake.



The situations of the positioning decided a quantity with three entrances or openings that act as hierarchical circulations as a substitute of a important facade, which supplies rise to its triangular geometry.



The primary function of the house is the potential for utterly opening or closing it, because of a sequence of three sliding partitions 9 meters lengthy that join or separate it from the encircling panorama, reconfiguring the fast surroundings in accordance with the wants of the second.



At instances it capabilities as a small blind and nameless house. Different instances, its sliding surfaces transfer and embed among the many timber, inviting them to cross them in all instructions, permitting the passage of the visible and integrating with the surroundings.

The glazed enclosures are hidden behind the blinds when they’re open or improve the fast surroundings by means of reflection when they’re closed. Their high quality as objects within the panorama, as reference factors and order of the place, could be traced again to sculptures by Richard Serra resembling “Sight Level” (1975) or “Spiral Jetty” (1970).

Lastly, the logical construction of dry development with black-painted steel tubes gives the required pace for an environment friendly development course of. As well as, the predominance of burnt wooden cladding provides the constructing a particular coloration, texture, and expression that blends completely with the encircling nature.

The inside stone flooring and finely crafted woodwork, supposed to accommodate the fashions of the home tasks, stand out from the remainder of the weather of the work. This example is barely appreciated when the house stays open.

